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The twice-monthly Lost Knowledge column explores the possible technology of the future in the forgotten ideas of the past (and those just slightly off to the side). Every other Wednesday, we look at retro-tech, "lost" technology, and the make-do, improvised "street tech" of village artisans and tradespeople from around the globe. "Lost Knowledge" was also the theme of MAKE, Volume 17
This week, we look at the largely-lost Medieval art of timbrel vaulting structures and the related, more modern (late 19th century) system of interlocking terracotta tiles which create what are known as Guastavino domes, after their inventor, Rafael Guastavino.
Low-Tech magazine has an excellent introduction to timbrel vaulting and Guastavino domes, called "Tiles as a substitute for steel: the art of the timbrel vault." Here's an excerpt:
The method of timbrel vaulting was developed in the 14th century around the Mediterranean, although its precise origins are unknown. The timbrel vault is also known as a "masonry vault", "Catalan vault", "tiled vault", "laminated vault", "flat vault" and "layered vault" (derived from Spanish, French, Italian and Catalonian descriptions).
A roof of tiles
Timbrel vaulting differs substantially from the Roman method of arch building, which relies on gravity. A Roman vault consists of a single layer of thick, wedge-shaped stones (see below).
The timbrel vault does not rely on gravity but on the adhesion of several layers of overlapping tiles which are woven together with fast-setting mortar. If just one layer of thin tiles was used, the structure would collapse, but adding two or three layers makes the resulting laminated shell almost as strong as reinforced concrete.
The result defies common sense, because a timbrel vault is very thin compared to a Roman vault, while at the same time it is capable of bearing much higher loads. This of course enables wider spans and gentler curves.
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